The upcoming online exhibition ‘Ritardando - In Color’ by Berlin-based artist Elisabeth Sonneck features works that continue her exploration into the physical relations of form and color in space.
Ritardando is a musical term meaning a gradual decrease in speed. This sense of slowing down describes Sonneck’s rhythmic repetition of broad and steady brushstrokes that allow nuances of color variations and interactions to play out on paper and canvas surfaces. These surfaces are gently manipulated into dynamic shapes that form a dialogue between the intrinsic properties of her everyday materials and situational elements of space, light, environment, and audience. Read the press release here.
We talked to Sonneck about her process, her love of paper, and the spatial relationships that make each installation of her works unique.
Rania Schoretsaniti is a Greek artist who draws on a rich cultural and artisanal heritage of craftsmanship, spirituality and family values. From a young age, she was taught the importance of self-sustainability, and her grandmother offered her valuable instruction on how to make things by hand. The core lesson being that in times of hardship you can draw on your strength and ‘use your hands and your head’ to make something of value and integrity in your life.
As a child, Rania grew up playing in the workshop of her family’s furniture-making business, where she observed the mechanics of sofas being built from raw cuts of wood knocked together into frames before being clad by beautiful upholstered fabrics.
Nostalgia for the purity of this time is deeply imbued in processes behind her works, which range from energetic, abstract oil on canvases, such as “Big Smile” or “Pink Sky”, to her finely rendered lines in ink and oil on canvas (like “Jacob’s Ladder” and “Synanteseis”).
But it is in her reliefs that the physicality of “using her hands” really comes into fruition. Every part of the soaring forms behind her works such as “Silk 1”, “Sea” or her “Trikke” series are constructed by hand, starting with the wooden frames, which are covered in bright fabrics, many of which she hand-dyed using traditional techniques.
Rania describes her works as her “words” which she uses to interpret and express a conscious and subconscious experience of the world, and which form a bridge to the divide between the known and the unknown (Heaven and Earth). Her symbolic use of lines and ladders are conversations that express the choice we have as humans to take steps “and build” so that we evolve from a position of suffering to one of empowerment or enlightenment.
Tashi Brauen is a Swiss-Tibetan photographer, painter, and sculptor based in Zurich, Switzerland. His work combines the fragility of paper, spontaneous folding and manipulating surfaces with bold color and texture to reveal the artist's affection for geometric forms, shifting perspectives on dimension and exploring the interplay of scale, impact and details.
Meeting Tashi for the first time at his exhibition in Bern at the Museum of Fine Arts, our easy conversation led the way to a recent visit at his studio in central Zurich. There, we discussed his upcoming exhibition in Berlin at Ronewa Art Projects, his work and process as well as sharing a personal glimpse of his life as an artist.