Posts by Roger Washington

  • Profile pic: Andrae Green. Image: @Artist
    Profile pic: Andrae Green. Image: @Artist

    Ronewa Art Project is pleased to present Jamaican artist Andrae Green's online solo exhibition, The Arrested Movement: Paintings of Time, Memory, and Perspective. His exhibition opened in our gallery's online viewing room and on Artsy on June 12, 2026. The exhibition runs until August 15, 2026.

     

    "Two books that deeply transformed my worldview and gave me critical insight into this duality are Frantz Fanon’s Black Skin, White Masks and Ralph Ellison’s Invisible Man." — Andrae Green

  • Profile: Imo Nse Imeh. @Joey Kennedy
    Profile: Imo Nse Imeh. @Joey Kennedy

    The Sacred Body of Becoming

    A Conversation with Dr. Imo Nse Imeh

    American Nigerian artist and scholar Dr. Imo Nse Imeh presents his current exhibition, The Sacred Story of Becoming, which opened at Ronewa Art Projects on December 18, 2025. His artistic practice explores themes of spirituality, cultural identity, memory, and the human figure through drawing, painting, and mixed media.

  • Profile image: Saša Pančić
    Profile image: Saša Pančić

    Semantic Shadows

    Saša Pančić
    Saša Pančić
    Semantic Shadows
    (MSUB) Museum of Contemporary Art, Belgrade, Serbia. The Gallery-Legacy of Milica Zorić & Rodoljub Čolaković. Link to museum
     

    Saša Pančić: "This Time Undoubtedly Represents an Introduction to the Unknown."

    The exhibition Semantic Shadows by Saša Pančić opened on Friday, December 12, at MSUB Museum of Contemporary Art, Belgrade, Serbia. The Gallery-Legacy of Milica Zorić & Rodoljub Čolaković. 

     


     

  • Saša Pančić. Photo credit: Nebojša Babić.
    Saša Pančić. Photo credit: Nebojša Babić.

    Membranes:

    An Interview with Saša Pančiċ

    I recently talked with Serbian-based artist Saša Pančić about his  exhibition at Ronewa Art Projects in Berlin entitled "Membranes." The exhibition  runs until December 21, 2023, and features three distinct series of ink drawings: "Semantic Shadows," "Liminality," and "Beyond the Horizon." 

     

    Roger Washington: The title of your exhibition, "Membranes," explores the metaphor of membranes as selective barriers that protect and define physically and symbolically. Could you elaborate on how this concept translates into your art and how it challenges viewers to consider hidden layers of reality? 
     
    Saša Pančić: The exhibition's title, "Membranes," has symbolic meaning derived from the artwork's language - its flatness and imaginary depth. I have always been fascinated by the creation of the physical world; why do certain forms in nature have this specific look? On the other hand, for me, a painted picture (or drawing) is beyond the concept of representation; it has the essence of a particular language and is the perception of different dimensions and interactions between external and internal, physical and psychological, historical and super-historical.